June 2006
Volume 6, Issue 6
Free
Vision Sciences Society Annual Meeting Abstract  |   June 2006
Framing aesthetic judgments
Author Affiliations
  • Jonathan S. Gardner
    Department of Psychology, University of California, Berkeley
  • Stephen E. Palmer
    Department of Psychology, University of California, Berkeley
Journal of Vision June 2006, Vol.6, 477. doi:10.1167/6.6.477
  • Views
  • Share
  • Tools
    • Alerts
      ×
      This feature is available to authenticated users only.
      Sign In or Create an Account ×
    • Get Citation

      Jonathan S. Gardner, Stephen E. Palmer; Framing aesthetic judgments. Journal of Vision 2006;6(6):477. doi: 10.1167/6.6.477.

      Download citation file:


      © ARVO (1962-2015); The Authors (2016-present)

      ×
  • Supplements
Abstract
 

Painters, photographers, and graphic designers regularly face the problem of how to frame the subjects of their creations in aesthetically pleasing ways. We investigated people's aesthetic responses to the position, facing direction, and size of single objects within rectangular frames using free choices in taking actual photographs and 2AFC preferences. The experiments tested the validity of rules of thumb taught in the visual arts, most of which have never been tested experimentally. One example is the “facing rule:” if the subject of the work has horizontal directionality (e.g., a sideview of a person, car, or teapot), it should point into rather than out of the frame. An experiment testing this rule examined subjects' aesthetic preferences for pictures of objects pointing into and out of the frame as a function of their position and directionality. In the directional (sideview) conditions, preferences were found for objects pointing into versus out of the frame. In both the directional and nondirectional (frontview) conditions, subjects tended to prefer objects positioned at the center of the frame. Further experiments examined preferences for the size of objects relative to the frame and its interaction with position and directionality. The results are discussed in terms of the power of the center in visual art (Arnheim, 1988). People prefer the subject to be located in the center of the frame, but if an object is not in the center, they prefer it to be oriented toward the center.

 
Gardner, J. S. Palmer, S. E. (2006). Framing aesthetic judgments [Abstract]. Journal of Vision, 6(6):477, 477a, http://journalofvision.org/6/6/477/, doi:10.1167/6.6.477. [CrossRef]
Footnotes
 http://socrates.berkeley.edu/~plab/projects.htm  Adobe Systems, Inc. and e-frontier, Inc. for donated software
×
×

This PDF is available to Subscribers Only

Sign in or purchase a subscription to access this content. ×

You must be signed into an individual account to use this feature.

×