Nearly all previous work in translucency perception has used monochromatic images (
Motoyoshi, 2010;
Nagai et al., 2013;
Xiao et al., 2020). The use of monochromatic images in translucency perception is largely due to the lack of high-quality renderings of physically plausible colored images of translucent appearance. Even though there are significant improvements in spectral rendering of translucent materials, such as wax, jade, and skin (
Brunton, Arikan, Tanksale, & Urban, 2018;
Jimenez, Whelan, Sundstedt, & Gutierrez, 2010), these rendering methods may not extend to realistically replicate the variety of translucent appearances in real life, such as food. Some recent studies examine translucency in a more realistic setting: Gigilashvili et al. have used real physical objects (an artwork collection of Plastique made of resin) to explore potential appearance ordering system that implies translucency (
Gigilashvili, Thomas, Pedersen, & Hardeberg, 2021); Chadwick et al. used color photographs of translucent liquids (glasses of milky tea) when they compared perceptual performance with real and computer-generated stimuli (
Chadwick, Cox, Smithson, & Kentridge, 2018). In reality, color could play important roles in translucent appearance, as shown in
Figure 1. For example, some low-level color-related image cues (e.g. saturation) might affect perceived translucency (e.g. the color gradients in yellow microcrystalline wax cube is an important cue). On the other hand, removing color might also alter the state of the object through association (e.g. cooked shrimp might appear to be uncooked when the image is shown in grayscale), which in turn affects the observer's material perception (e.g. uncooked shrimp is usually perceived to be more translucent). Previous works find that color interacts with the perception of surface gloss (
Nishida, Motoyoshi, & Maruya, 2011;
Xiao & Brainard, 2008), perception of fabrics (
Toscani, Milojevic, Fleming, & Gegenfurtner, 2020;
Xiao, Bi, Jia, Wei, & Adelson, 2016), perception of transparent objects (
D'Zmura, Colantoni, Knoblauch, & Laget, 1997;
Ennis & Doerschner, 2021), and perception of object states such as wet or bleached (
Okawa, Shimano, Asano, Bise, Nishino, & Sato, 2019;
Sawayama, Adelson, & Nishida, 2017;
Toscani et al., 2020). On the other hand, a previous study on material classification from photographs using the Flickr Material Dataset finds that removing color does not significantly affect classification accuracy (
Sharan, Rosenholtz, & Adelson, 2014). However, little is known about how removing color affects the perception of more diverse materials, including translucent objects. Some studies (
Chadwick et al., 2018;
Fleming & Bülthoff, 2005) have pointed out that saturation variations can affect the perceived translucent appearance, but they are insufficient on their own to produce an impression of translucency. It is also not clear whether color affects material appearance mostly through low-level processing of color-related image cues or through high-level association with object identity or recognition memory (
Wichmann, Sharpe, & Gegenfurtner, 2002). A previous study has also studied translucency perception of a blind observer, suggesting that some aspects of translucence perception do not depend on regions critical for color and texture processing (
Chadwick, Heywood, Smithson, & Kentridge, 2019). In this paper, by systematically measuring the effect of color across different tasks, we aim to discover the relationship between different hierarchical processes involved in material perception.