A popular method for depicting the 3D structure of a curved surface involves displaying a pattern of contours formed by the intersection of the surface with a series of parallel planes (e.g., see
Figure 1). This technique was first developed in the field of cartography (Robinson & Thrower,
1957; Tanaka,
1932), where it is sometimes referred to as the method of inclined planes. It is also used in mechanical drawing and computer graphics for the visualization of 3D surfaces (Williamson,
1971; Wright,
1973), and the patterns it produces are quite similar to those that have been created by op artists, such as Josef Albers, Frank Stella, Bridget Riley, and Victor Vasarely. In the natural environment, planar cut contours are frequently observed in the layered strata of rock formations, terraced landscapes, and man-made objects composed of layered materials such as butcher block. Although there have been numerous psychophysical investigations that have examined observers' perceptions of surfaces depicted with planar cut contours (Bocheva,
2009; Li & Zaidi,
2000,
2004; Mamassian & Landy,
2001; Shapley & Maertens,
2008; Stevens & Brooks,
1987; Todd & Oomes,
2002; Todd, Oomes, Koenderink, & Kappers,
2004; Todd & Reichel,
1990; Todd, Thaler, & Dijkstra,
2005; Todd, Thaler, Dijkstra, Koenderink, & Kappers,
2007; Tse,
2002), there is currently no consensus about why this technique is so perceptually effective or how such patterns are able to specify the 3D structure of a surface.