The sandwich model has been used extensively in vision research (e.g., Burns et al.,
1992; Burton,
1973; Chang, Kreitz, & Burns,
1993; Henning, Hertz, & Broadbent,
1975; Krauskopf, Wu, & Farell,
1996; MacLeod & He,
1993; MacLeod et al.,
1992; Stockman & MacLeod,
1986; Stockman, MacLeod, & Lebrun,
1993; Williams,
1985). In most cases, its application relies on the assumption that internal nonlinearities generate new visual signals within the visual pathway by distorting the visual input signal and so changing its frequency spectrum and hence its appearance (Bedrosian & Rice,
1971). In our previous experiments, the visual input was a contrast-modulated stimulus produced by sinusoidally flickering a light of 650 or 560 nm at
fc Hz and then sinusoidally modulating its contrast at a much lower frequency,
fm Hz (see
Figure 1). The frequency components of this stimulus, in addition to the component at 0 Hz corresponding to the mean level around which the light is modulated, consist of three high-frequency sinusoids: one at
fc Hz, the carrier frequency, and two side bands at
fc −
fm and
fc + fm Hz. There is no component at
fm Hz in this stimulus until the signal encounters a nonlinearity and undergoes distortion. Distortion of contrast-modulated flicker by a typical compressive or expansive nonlinearity produces components at higher harmonics of the carrier and side bands in addition to intermodulation distortion products. The particular intermodulation distortion product that concerns us is the one at
fm Hz, because we see brightness enhancements and hue changes that vary at that frequency. We assume that it is the distortion product at
fm Hz that produces the effects that we see.