Popularized by Johansson in the early 1970s (Johansson,
1973), point-light displays provide an ideal means to study the contribution of motion to the perception of biological (and mechanical) movements. In classic experiments examining human movements, the visual details of the human body were hidden except for several bright point-lights located at the major limb joints (shown against a dark background). Although sometimes difficult to interpret from single or multiple static images (Johansson,
1973; Kozlowski & Cutting,
1977), when viewed in a sequence, the moving point-lights convey a vivid and compelling percept of human movement. Observers can further extract many subtle yet informative style properties of the movement. People can recognize gender from gait and facial/head motion (Barclay, Cutting, & Kozlowski,
1978; Cutting, Proffitt, & Kozlowski,
1978; Hill & Johnston,
2001; Kozlowski & Cutting,
1977; Mather & Murdoch,
1994; Troje,
2002), identify individuals from gait patterns and arm movements (Beardsworth & Buckner,
1981; Cutting & Kozlowski,
1977; Hill & Pollick,
2000), infer emotions from dance and arm movements (Brownlow, Dixon, Egbert, & Radcliffe,
1997; Dittrich, Troscianko, Lea, & Morgan,
1996; Pollick, Paterson, Bruderlin, & Stanford,
2001; Walk & Homan,
1984), and estimate dynamics such as the weight of a lifted object (Bingham,
1987; Bingham,
1993; Runeson & Frykholm,
1981; Runeson & Frykholm,
1983).