Some of these limitations of BR can be overcome, however, using any one of several other interocular suppression techniques. One such technique, called flash suppression (FS), has proven useful for reliably establishing the initial perceptual dominance of one stimulus for a short period of time (Wolfe,
1984). In FS, the to-be-suppressed stimulus is first presented to one eye (the other eye is temporarily unstimulated), followed shortly thereafter by the abrupt presentation of a rival stimulus to the other eye. With this sequence of events, the most recently presented stimulus typically achieves immediate dominance, with the first stimulus being suppressed from vision (FS differs from dichoptic backward masking (Breitmeyer,
1984) in that, with FS, the two rival stimuli remain on for an extended duration and are not briefly flashed as they are with conventional masking). This procedure effectively eliminates uncertainty about the dominance of a given stimulus for the first several seconds following onset of dichoptic stimulation. On the downside, however, FS has no control over the subsequent dynamics of rivalry, which remain stochastic (Blake, Westendorf, & Fox,
1990). The randomness of rivalry can be minimized using a new technique called continuous flash suppression (CFS), which combines the potency of BR and FS (Tsuchiya & Koch,
2005). With CFS, a series of different, contour-rich patterns is continuously flashed to one eye at a steady rate of ∼10 Hz. With this dynamic, complex stimulus presented to one eye, a highly salient image (e.g., the picture of an angry face) presented to the other eye may be reliably suppressed throughout an entire viewing period, sometimes longer than 3 min. Other studies also exploited the combination of FS and BR and/or use of dynamic stimuli to extend otherwise brief dominance periods (Gilroy & Blake,
2005; Moradi, Koch, & Shimojo,
2005; Pasley, Mayes, & Schultz,
2004). The CFS technique, which virtually eliminates the uncertainty about changes in perceptual state, has been used to study the ability of a suppressed stimulus to generate high-level visual aftereffects (Moradi et al.,
2005) as well as low-level visual afterimages (Gilroy & Blake,
2005; Tsuchiya & Koch,
2005). As well, the technique has been used to demonstrate that ordinarily salient, erotic pictures can direct visual attention to a given location in the visual field even when those pictures are erased from visual awareness by CFS (Jiang, Fang, Huang, & He,
2005). In addition, CFS has been used in brain imaging studies to identify brain regions that respond to visual stimuli falling outside of conscious awareness (Fang & He,
2005; Pasley et al.,
2004).