Since Helmholtz (
1867), many theories of visual perception argue that the construction of the subjective visual percept is not a passive bottom-up process, but rather involves making the best sense of sensory inputs based on a set of hypotheses or constraints derived from prior knowledge and contextual (temporal and spatial) influences (Coppola, Purves, McCoy, & Purves,
1998; Gilbert & Sigman,
2007). Under some circumstances, this process may create a conflict resulting in an illusory or erroneous reconstruction of the visual scene (Howe & Purves,
2005). When two stimuli are presented in short temporal succession, two classes of illusions have been described:
masking and
feature inheritance. In masking, one stimulus (the target) is rendered invisible by the presence of another stimulus (the mask) (Bachmann,
1994; Breitmeyer,
1984; Di Lollo, Enns, & Rensink,
2000). For certain masking situations, which cannot be easily explained by low-level competition, it has been proposed (Di Lollo et al.,
2000) that masking may be understood in terms of a dynamic competition between bottom-up and re-entrant top-down flows of visual information processing: invisibility would be created when strong bottom-up inputs from the mask override reverberant activity that has been induced by a brief target. Under other circumstances, features of the two different stimuli may be combined or inherited, by the other stimulus, a phenomenon referred as
feature inheritance or
illusory conjunctions (Ashby, Prinzmetal, Ivry, & Maddox,
1996; Enns,
2002; Hazeltine, Prinzmetal, & Elliott,
1997; Herzog, Fahle, & Koch,
2001; Herzog & Koch,
2001; Herzog, Koch, & Fahle,
2001; Nisbett & Wilson,
1977; Prinzmetal,
1981; Prinzmetal, Presti, & Posner,
1986; Treisman & Schmidt,
1982; Wolford & Shum,
1980). Masking and feature inheritance may be combined (i.e., the masking element may inherit features of the masked object), and a variety of geometric, spatial, and temporal factors may result in shifts between them (Enns,
2002; Herzog & Koch,
2001).