The present results show that the effect of a large broadband mask on sensitivity to a grating is anisotropic. Specifically, this broadband suppression is orientation-tuned with equal bandwidth at different test orientations but with different strengths—the suppression is greatest at horizontal, least at oblique, with an intermediate amount at vertical (
Figures 3A and
6). This finding of anisotropic suppression is readily fit into prevailing models of contrast gain control and is parsimonious with the evidence of an anisotropic distribution of neural units (see
Introduction section). It also fits well with the previous reports that oblique content is most salient in natural or natural-like images and horizontal content is least salient (Essock et al.,
2003; Hansen & Essock,
2004,
2005,
2006; Hansen et al.,
2003). The present data show that the typical oblique effect is obtained for simple, unmasked stimuli (i.e., in a spectrally isolated context, or in a context of very few components; see Essock et al.,
2003; Hansen & Essock,
2006), but when viewed in the context of other stimuli (i.e., a broadband mask), the greater suppression at horizontal (and secondly at vertical) suppresses the visibility of horizontal and vertical content below that of oblique content.
In general, current models of contrast gain control, both physiological and psychophysical (e.g., Foley,
1994; Heeger,
1992; Holmes & Meese,
2004; Wilson & Humanski,
1993), suggest that the detecting mechanism's response is divided by the sum of a semisaturation constant and a summed normalization pool consisting of the responses of numerous filters that are driven by the various components of the stimulus image. Specific models differ as to the properties of this normalization pool (including whether there are multiple sources/pools and the occurrence of facilitation) but a basic framework (as advanced by Foley,
1994) has been put in place for conceptualizing these contextual modifications to contrast sensitivity. The present results verify our earlier conjecture (e.g., Hansen et al.,
2003) that the normalization pool is tuned in orientation, and that when viewing a large broadband pattern as used here, the response of the gain-control system across orientation is anisotropic in a horizontal-effect pattern. A model presented in
1 suggests that the anisotropic suppression observed here stems from:
-
a static factor that serves to alter the semisaturation constant and works against the oblique effect bias that is built into the semisaturation constant, and
-
a dynamic factor that increases the strength and speed of suppression at horizontal relative to the other orientations (seen in
Figure 7A).
The anisotropic suppression that we observe here could come from any of several sources. That is, modulation of a cortical detecting mechanism's output by the stimulus context may be viewed generally (e.g., as a single pool; Carandini,
2004) or in detail (i.e., as a set of similar, but quantitatively distinct mechanisms; Meese, Summers, Holmes, & Wallis,
2007; Rust & Movshon,
2005). Perhaps the primary distinction in the present literature is between
overlay (“cross orientation”) and
surround suppression, and it appears that the anisotropy that we observe here could have its basis in either or both of these processes. Petrov et al. (
2005) have delineated psychophysically in humans some of the properties of these two different types of masking, and our stimuli would appear suited to drive both. The mechanism that is consistently found to be strongly orientation-tuned (about 40° width-at-half-height), surround suppression, is reported to be absent at 0° eccentricity, but quite strong by 1° eccentricity (Petrov et al.,
2005; Snowden & Hammett,
1998; Xing & Heeger,
2000). Our 5° backgrounds and 1.6° (at half-height) tests are large enough to partially fall outside of the surround-suppression-free region and thus may drive, at least to some extent, such a mechanism. The second mechanism, overlay suppression, is strong throughout the central 5° and would clearly be driven by our test conditions (Petrov et al.,
2005). Although Petrov et al. suggest that this overlay suppression mechanism is only broadly orientation-selective (∼90° at half-height), even a broadly tuned anisotropic mechanism would deliver more suppression at certain test orientations than at others, so it is not surprising that a strong horizontal effect was observed. For all of these reasons, we conclude that overlay suppression as well as surround suppression appear to play a role in the current test conditions, and that either or both could be the source of the horizontal effect of anisotropic suppression in these general-viewing conditions. Indeed, the two differences apparent in the orientation tuning of the suppression at different test orientations (
Figure 3A) match the orientation tuning of the two suppression mechanisms:
-
The difference shown across the full 90° (±45°) range of orientations seen in comparing horizontal and vertical tuning curves to oblique tuning curves matches well with the tuning of overlay suppression;
-
the difference between the suppression tuning curves for horizontal and vertical test orientations reflects a more narrowly tuned process like surround suppression.
Perhaps, the two anisotropies revealed in the model presented in
1 imply that the orientation difference (H > V) in the speed and strength of the gain-control response to the mask,
w (
Figure 7A) results from surround suppression, and that the orientation difference (H = V > Oblique) in the shift of the response curves associated with the semisaturation constant (
A M K 0) results from overlay suppression.
Finally, we note the similarity between the observation that the horizontal effect strongly affects the perceptual
salience of broadband patterns and the suggestions that the suppressive field appears to provide a modulatory effect on attention (e.g., Carandini,
2004; Petrov & McKee,
2006). Consistent with the notion of context suppression modulating attention, we have suggested that the horizontal effect serves to make objects stand out in natural scenes by relatively suppressing typical backgrounds (Hansen & Essock,
2004, and see below). Evidence that this horizontal effect of perceptual salience stems from orientation- and also spatial-frequency-tuned suppression (i.e., that the “suppressive field” is local in the frequency domain as well as in space) comes from a perceptual illusion that enhances perceptual salience at edges in the frequency domain (see Essock, Hansen, & Haun,
2007).