The extent to which color constancy is achieved differs between studies, probably because factors such as overall scene complexity (Gelb,
1950; Gilchrist & Annan,
2002; Kraft, Maloney, & Brainard,
2002; Maloney & Schirillo,
2002), or perhaps specific aspects such as the three-dimensional structure (Adelson,
1993; Bloj, Kersten, & Hurlbert,
1999), specular highlights (D'Zmura & Lennie,
1986; Lee,
1986; Yang & Maloney,
2001; Yang & Shevell,
2003), mutual illuminations (Bloj et al.,
1999; Delahunt & Brainard,
2004b), shadows (Usui, Nakauchi, & Takebe,
1996) and illuminant gradients (Brainard, Brunt, & Speigle,
1997) can all contribute to color constancy; and their presence differs between studies. Color constancy in the laboratory is often poorer than in our everyday experience, possibly because fewer such factors are available in laboratory displays. Even with all the above-mentioned factors available in a scene, color constancy cannot be perfect because human color vision is based on the comparison of signals of three types of cones in the retina. This constrains the identification of colored surfaces under different illuminations (Foster, Amano, Nascimento, & Foster,
2006; Nascimento, de Almeida, Fiadeiro, & Foster,
2004; Young,
1987) as can be observed when matching clothes. After careful scrutiny in a store a match is accepted under fluorescent lighting, only to experience great disappointment when leaving the store and discovering that the match is no longer acceptable in daylight. In this case, what was a perfect match under one illuminant (fluorescent) is not a perfect color match under another illuminant (daylight), because the reflectance in the store (the actual spectrum of the reflected light) was not the same, only the three receptor stimulations were the same.