Abstract
This is a somewhat eclectic paper, an anecdotal snapshot of the making of the first independent live action short drama, Hazardous, filmed in stereoscopic 3D in Canada. weaving together explanations, insights, ruminations on stereography and with a first hand account of the logistical, production and creative challenges faced during the making of this film in 2010 — and the technological shifts since that time. The paper also introduces readers to the new key creative position of stereographer and the effect of this position on the grammar and structure of a S3D film.
Meeting abstract presented at OSA Fall Vision 2012