Viénot and Obein (
2004) compared the BRDF of two matte planar materials: a piece of tire rubber with a piece of black coated cardboard. While the areas enclosed by the plot of both specular peaks are about the same size, the curves cross several times. The crossovers precisely illustrate the visual percept: when the two samples are viewed at grazing angles, or at specular angle, the piece of rubber appears brighter than the coated paper, while when the two samples are viewed around the peak, it appears darker (see
Figure 2).
This could explain why an observer must look at an object from two or more different angles to recover enough information to be able to identify the surface. He might be looking for specific indices (Delaney, de la Rie, Elias, Sung, & Morales,
2008). We conjecture that an active strategy could allow the subject to recognize the visual cues that provide the necessary information to identify the material an object is made of.
Among the cues that could explain our ability to recover information about the material an object is made of are gradients in color and luminance, which actually relate to the shape of the BRDF. Several investigators have verified that observers are able to distinguish between luminance gradient profiles (Bloj, Kersten, & Hurlbert,
1999; Garcia-Suarez, Ruppertsberg, & Bloj,
2008; Ruppertsberg, Bloj, & Hurlbert,
2008; Viénot, Boust, Brémond, & Dumont,
2002). Using digital images, Motoyoshi, Nishida, Sharan, and Adelson (
2007) suggest that the recovery of glossiness could be attributed to the skewness of the pixel distribution. Motoyoshi et al. (Motoyoshi, Nishida, & Adelson,
2005; Motoyoshi et al.,
2007) showed that given an image of a textured surface, skewing the pixel luminance histogram alters its appearance either to matte when skewed negatively (a predominance of decrements) or to glossy when skewed positively (a predominance of increments).
Another area of investigation is the coherence between the localization of the light source, the diffuse, and the specular components. For some authors, when the diffuse and specular components of luminance are independently manipulated, observers are able to disentangle highlights, surface lightness, and surface color of 3D objects (Todd, Norman, & Mingolla,
2004; Xiao & Brainard,
2008). Fleming, Dror, and Adelson (
2003) showed that subjects could estimate surface reflectance reliably and accurately in the absence of context, as long as the illumination was realistic. For other authors, even in ecologically valid images of complex objects, the perception of material, the perception of shape, and illumination are basically confused (te Pas & Pont,
2005; Vangorp, Laurijssen, & Dutré,
2007).
How the subjects have acquired knowledge of the cues that exist as to what is light and what is material is still unknown (Landy,
2007).