The two sides of the human face are typically asymmetric (for example, Ferrario, Sforza, Poggio, & Tartaglia,
1994). The asymmetry can be quite pronounced and have clinical significance, but some degree of asymmetry is normally present in every face and even in the very attractive faces of models, actors, and beauty contest winners (Peck, Peck, & Kattaja,
1991). The face of the famous sculpture known as the Venus of Milo, a classical example of balance and beauty, has marked asymmetries (Fanghänel, Gedrange, & Proff,
2006; Hasse,
1882,
1887), illustrated in
Figure 1.
1
While there is agreement that the typical human face is asymmetric, there is no agreement about the nature of the asymmetries. The right side of the face in many studies is found to be larger than the left (for example, Ferrario, Sforza, Miani, & Serrao,
1995; Simmons, Rhodes et al.,
2004; Song et al.,
2007) and this asymmetry is found to be more pronounced in the middle and lower third of the face (Ferrario, Sforza, Miani, & Tartaglia,
1993; Ferrario, Sforza, Pizzini, Vogel, & Miani,
1993; Ferrario et al.,
1994; Liukkonen, Sillanmäki, & Petolmäki,
2005). In other studies (for example, Ercan et al.,
2008; Vig & Hewitt,
1975), the left hemi-face is found to be larger.
Facial mimicry is slightly lateralized as well. Both healthy young adult women and men express emotion in a lateralized way, with movements larger on the right than the left (Sforza, Galante, Shirai, & Ferrario,
in press) for unilateral movements (for example, closing one eye) and larger on the left for bilateral movements as, for example, in raising the forehead (Coulson, Croxson, & Gilleard,
2002) and in spontaneous smiles (Wylie & Goodale,
1988). The faces of children (Ferrario et al.,
1994; Melnik,
1992) and old people (Kobyliansky & Livshits,
1989) are no less asymmetrical as those of adults.