How the visual system solves this correspondence problem has been the focus of research for decades (Berbaum, Lenel, & Rosenbaum,
1981; Burt & Sperling,
1981; Casco,
1990; Dawson, Nevin-Meadows, & Wright,
1994; Green,
1986; Kolers & von Grünau,
1976; Kolers & Pomerantz,
1971; Kramer & Rudd,
1999; Navon,
1976; Petersik & Rice,
2008). Researchers have used different types of apparent motion displays, from simple apparent motion displays, in which only two objects are presented (Berbaum, et al.,
1981; Kolers & von Grünau,
1976; Kolers & Pomerantz,
1971), up to more complicated displays, in which multiple elements are presented in different frames and apparent motion can be seen between different elements (Burt & Sperling,
1981; Green,
1986; Navon,
1976; Nishida & Takeuchi,
1990; Nishida, Ohtani, & Ejima,
1992; Pooresmaeili, Cicchini, Morrone, & Burr,
2012; Shechter, Hochstein, & Hillman,
1988; Ullman,
1979). An example of a more complicated apparent motion display is the motion quartet (Navon,
1976; Schiller,
1932; Ullman,
1979), in which two discs are presented in diagonally opposite corners of a virtual rectangle (or diamond) in the first frame and another set of two discs in the other two corners in the second frame. In this display observers can either perceive two discs that are moving horizontally or two discs that are moving vertically. The direction of the perceived movement indicates which stimuli have been matched together.