During prolonged viewing, the subjective appearance of ambiguous or “multistable” stimuli can switch spontaneously (e.g., Blake & Logothetis,
2002; Leopold & Logothetis,
1999; Sterzer, Kleinschmidt, & Rees,
2009). Pioneering electrophysiological animal studies (Bradley, Chang, & Andersen,
1998; Leopold & Logothetis,
1996) and human functional imaging (fMRI) studies (e.g., Castelo-Branco et al.,
2002; Frith, Perry, & Lumer,
1999; Kleinschmidt, Buchel, Zeki, & Frackowiak,
1998; Lumer, Friston, & Rees,
1998) have successfully used multistable stimuli to identify neural responses associated with a purely subjective change in the appearance of a stimulus, as distinct from objective changes in the physical stimulus. Many human fMRI studies have focused either on binocular rivalry between different patterns presented dichoptically (e.g., Lumer et al.,
1998; Polonsky, Blake, Braun, & Heeger,
2000; Tong, Nakayama, Vaughan, & Kanwisher,
1998) or two-dimensional ambiguous motion stimuli that may appear to switch apparent direction of motion spontaneously on the frontoparallel plane (Muckli et al.,
2002; Sterzer & Kleinschmidt,
2005,
2007; Sterzer, Eger, & Kleinschmidt,
2003; Sterzer, Russ, Preibisch, & Kleinschmidt,
2002). Recent fMRI research has also considered the third dimension, using random-dot kinematograms (RDK) to create ambiguous rotational motion in depth (Brouwer & van Ee,
2007). However, while most studies have examined just a single type of bistable stimulus, the present study compared two different bistable stimuli, which each evoke qualitatively distinct switch percepts. We compared translational 2D versus rotational 3D motion in flat versus cylindrical RDKs (see
Figure 1 and
online movie demonstrations). We thus aimed to contrast the distinct neural correlates of subjective switches of rotation versus translation.