When observers are asked to indicate the stopping point of a moving object, they typically dicate some point further forward in the direction of the (actual or implied) motion. This phenomenon is called representational momentum (Freyd & Finke,
1984; for a review, see Hubbard,
1995,
2003; for a recent collection of related work, see Thornton & Hubbard,
2002). In the first study that showed representational momentum (Freyd & Finke,
1984), observers were presented with three discrete visual presentations of a rectangle rotating in the picture plane. The observers were asked to remember the position of the third item and to indicate whether a fourth rectangle was the same as the third or not. Freyd and Finke found that the fourth rectangle was more likely to be erroneously judged as being the same when it was rotated forward in the direction of motion from the true stopping point, versus the same distance backwards. Since this initial study, many other examples of forward displacement have been found, using a variety of stimuli, including single translating objects (Hubbard & Bharucha,
1988), groups of translating objects (Finke & Shyi,
1988), depth rotated novel figures (Munger, Solberg, Horrocks, & Preston,
1999), articulating human figures (Verfaillie & Daems,
2002), and crowds of human figures (Thornton & Hayes,
2004). In addition to implied motion sequences, representational momentum has been found with displays involving induced motion (Faust,
1990), smooth continuous motion (Hubbard & Bharucha,
1988; see also Kerzel,
2000), and in static scenes where motion is only suggested pictorially (Freyd,
1983; Kourtzi & Kanwisher,
2000).