In the standard (direct) form of the tilt illusion, the perceived orientation of a central bar of light is tilted
away from the orientation of a surround grating that forms its visual context (
Figure 1a, left). Under particular circumstances, one can also observe a weaker but consistently attractive effect (called the indirect tilt illusion) toward the surround orientation (
Figure 1a, right). The tilt illusion is an appealing target for elucidating perceptual organization since its psychological (e.g., Goddard, Clifford, & Solomon,
2008; Wenderoth & Johnstone,
1988; Westheimer,
1990, and see
Figures 1a and
1b) and neural (e.g., Cavanaugh, Bair, & Movshon,
2002; Felsen, Touryan, & Dan,
2005; Gilbert & Wiesel,
1990; Li, Thier, & Wehrhahn,
2000; Sengpiel, Sen, & Blakemore,
1997, and see
Figure 1c) bases have been extensively probed. The illusion has also been a focus of theoretical interest (e.g., Clifford, Wenderoth, & Spehar,
2000; Gibson & Radner,
1937; Schwartz, Hsu, & Dayan,
2007; Series, Lorenceau, & Frégnac,
2003; Solomon & Morgan,
2006). Indeed, it has long been known that simple, mechanistic, changes to tuning curves at the neural level might underlie observed contextual biases in the tilt illusion (and also in aftereffects, a related phenomenon associated with adaptation, e.g., Jin, Dragoi, Sur, & Seung,
2005; Kohn,
2007; Kohn & Movshon,
2004; Teich & Qian,
2003). However, why the surround stimulus might lead to these tuning curve changes, and the relationship between this and the statistics of natural scenes, are not clear.