There is a relatively large number of studies addressing the perception of motion in more than one sensory modality; in general, these studies focus on how the perception of motion in one modality is modulated by the presence of motion in a second modality (for reviews, see Soto-Faraco, Kingstone, & Spence,
2003; Soto-Faraco, Spence, & Kingstone,
2004). For instance in the well-known “dynamic capture” effect, visual motion can affect the perceived direction of auditory motion (Sanabria, Spence, & Soto-Faraco,
2007; Soto-Faraco, Lyons, Gazzaniga, Spence, & Kingstone,
2002; Strybel & Vatakis,
2004), and in the “bouncing disks” effect, both stationary (Sanabria, Correa, Lupiáñez, & Spence,
2004; Sekuler, Sekuler, & Lau,
1997) and moving (Sanabria, Lupiáñez, & Spence,
2007) auditory signals can influence the perception of ambiguous visual motion stimuli. It has also been shown that an auditory signal can bias the perceived direction (Brooks et al.,
2007; Jain, Sally, & Papathomas,
2008; Maeda, Kanai, & Shimojo,
2004) and speed (Ecker & Heller,
2005) of visual motion cues.