Other unidirectional aftereffects have been found. Adaptation to contrast only ever makes a subsequently presented pattern appear to have less contrast (Georgeson,
1985), and adaptation to density only ever makes a subsequently presented pattern look less dense (Durgin & Huk,
1997). On the other hand, the tilt aftereffect and spatial-frequency aftereffect are bidirectional. Adaptation to an oriented line invariably causes a line of slightly different orientation to appear oriented in a direction away from that of the adaptor orientation (Gibson & Radner,
1937), and adaptation to a figure of given size invariably causes a figure of slightly different size (whether bigger or smaller than the adaptor) to appear shifted away from that of the adaptor size (Sutherland,
1954). It has been suggested that bidirectionality in aftereffects is supportive of the idea that the dimension of interest is processed by multiple channels, each tuned to a specific range of the dimension (Webster,
2011). Thus our findings provide no support for the idea that regularity is coded via multiple channels, each selective to a particular range of irregularity.
An important difference with some other unidirectional aftereffects concerns the relationship between adaptor and test regularities and the magnitude of the aftereffect. In his study of contrast adaptation using sine-wave gratings, Georgeson (
1985) found that significant reductions in apparent contrast following adaptation only occurred when the test was lower in contrast than the adaptor. In the present study, as is clear from
Figure 5, the apparent regularity of a test pattern is reduced by adaptors both greater
and smaller in regularity than the test, though the amount of reduction is smaller for the latter. This property of the RAE is a feature of norm-based coding (Webster,
2011; H. Dennett, personal communication, December 3, 2012), where the effect of adaptation is always to shift perception towards the norm. For example, with blur adaptation, adaptation to either a blurred or a sharpened image results in the image appearing more focused, or “neutral”: In this case the norm is “focused” (Elliott, Georgeson, & Webster,
2011). For the RAE, if it is indeed a consequence of norm-based coding, then the norm that it reveals is “irregular.” This might at first seem counterintuitive, but as
Figure 1 demonstrates, regularity is a pop-out feature, and therefore it is irregularity, not regularity, that would seem to be the norm in vision. The explanation of the RAE that we later provide is consistent with the idea that irregularity is treated as a norm by vision.