From its outset, the originators of the Gestalt movement were aware of the potentially important role of the third dimension (depth) in perceptual organization of visual space. In his chapter devoted to the organizational theory of three-dimensional space, Koffka (described in Hartmann,
1935, pp. 105 and Koffka,
1935, pp. 161) argues that “three-dimensional shapes are matters of organization in the same way as two-dimensional ones, depending on the same kind of laws” (p.161). He goes on to describe experiments by Kopfermann (1930) who provided multiple demonstrations of configural influences on the recovery of 3D shape in both 2D planar stimuli and across multiple depth planes (in 3D). In one of her studies, Kopfermann (1930) drew different components of closed line figures (e.g., fragments of triangles or rectangles) on glass plates and slotted the segments into a light-proof box at separations of 2 cm. She found that the perceived relative depth of the figure's components critically depended on the perceived coherence of the figure. If the stimulus was seen as distinct unconnected units, the relative depth of the individual fragments was veridical. On the other hand, if the line patterns formed a single object, the percept of depth was eliminated (for summary of this work see Hartmann,
1935). The Gestaltists argued that the good Gestalt created via the 2-D grouping cues triumphed over the disparity signal provided by stereopsis (Hartmann,
1935; Koffka,
1935). Kopfermann's experiments provide an important illustration of the powerful effects of figural grouping on the perception of depth, and arguably her results reflect the same processes that degrade depth percepts in the work of McKee, Westheimer, and others described above. It is also likely that her observations are related to more recent experiments by Liu, Jacobs, and Basri (
1999); Yin, Kellman, and Shipley (
2000); and Hou, Lu, Zhou, and Liu (
2006). These researchers have manipulated isolated grouping cues in amodal completion arrangements and assessed their effects on disparity thresholds. For example, Liu et al. (
1999) demonstrated that the shape of a bounding contour (convex vs. concave) determined whether a figure was perceived as coherent, which consequently influenced disparity discrimination thresholds. In Yin et al.'s (
2000) experiments they showed that integration of flanking surfaces behind an occluder reduced disparity sensitivity (d'). Integration was critically dependent on the similarity of visible surface features (e.g., color and texture) as well as the presence of collinear and relatable edges. Hou et al. (
2006) manipulated occlusion arrangements to influence the perceived amodal completion of two bars, and showed that in the presence of such completion disparity sensitivity was degraded. These and related studies provide convincing evidence that figural interpretation constrains depth thresholds and provide important evidence against a strictly hierarchical model of disparity processing, as low-level operations are clearly modulated by midlevel contextual effects. As Yin et al. (
2000) suggest, this may be related to object or surface-based disparity smoothing (see Marr & Poggio,
1976; Mitchison & McKee,
1987a,
1987b; Mitchison,
1988). The disruptive effect of midlevel configural organization was also highlighted in the work of Lu, Tjan, and Liu (
2006) who showed that observers' interpretation of coherent biological motion in point-light figures had a similar detrimental effect on depth discrimination thresholds.