According to our hypothesis, the phenomenological variable “modal versus amodal” is a perceptual representation of the conclusiveness of sensory evidence. Thus, on one hand, the hypothesis predicts that occluded regions can be experienced as modal instead of amodal provided that the sensory evidence is unusually conclusive, in agreement with our experimental findings. Conversely, though, the hypothesis also suggests that it should be possible to experience amodal percepts in the absence of occlusion if the sensory evidence is unusually inconclusive. Metzger (
1975; see Metzger, Spillmann, Lehar, Stromeyer, & Wertheimer,
2006, for an English translation) and Kanizsa (
1987) described a phenomenon called “bridge lines” (Metzger's terminology) or “virtual lines” (Kanizsa's terminology) that may be taken to suggest that this is indeed the case. This phenomenon—which is not to be confused with the more well-known phenomenon of subjective (or illusory) contours, although the latter is often also called “virtual contours”—is demonstrated in
Figure 9A and
B. The point of interest is that collections of dots are experienced as having definite shapes corresponding to virtual lines (or curve segments) connecting one dot with the other. In much the same way as amodally completed contours, these lines are perceptually present, although we do not see them in the literal sense. Furthermore, the perceptual nature of these virtual lines can be demonstrated appealing to the same argument that has been used for demonstrating the perceptual nature of amodally completed contours. Consider the dots in
Figure 10A, which correspond to the stars in the constellation called the Big Dipper. As illustrated by the examples in
Figure 10B through
F, it is logically possible to conceive of many different shapes as resulting from interpolations between the dots in
Figure 10A, but a very specific one is perceived—namely the one shown in
Figure 10B. In accordance with this, Kanizsa (
1987, p. 44) wrote that the presence of these “virtual lines” has an “amodal character,” although there is no occlusion involved.