Almost every article on ensemble summary statistics starts with establishing their potential to surmount the severe limitations imposed by attention or working memory in visual cognition of individual objects (e.g., Cowan,
2001; Luck & Vogel,
1997; Pylyshyn & Storm,
1988; Treisman & Gelade,
1980). Indeed, at every moment when our eyes are open, we see much more than just a few (probably three to four) objects. Ensemble summary statistics allow us to compress hundreds and thousands of visible properties of objects into compact descriptions, such as approximate number (Chong & Evans,
2011; Feigenson, Dehaene, & Spelke,
2004; Halberda, Sires, & Feigenson,
2006), average across multiple dimensions (Alvarez & Oliva,
2008; Ariely,
2001; Bauer,
2009; Chong & Treisman,
2003; Dakin & Watt,
1997; Haberman & Whitney,
2007,
2009), or variance (Morgan, Chubb, & Solomon,
2008; Solomon,
2010). The rapid ascribing of those statistics to all visible objects provides a surprisingly precise global representation (or gist) of a visible scene (Alvarez,
2011) with little or no conscious access to individuals (Alvarez & Oliva,
2008; Ariely,
2001; Corbett & Oriet,
2011; Parkes, Lund, Angelucci, Solomon, & Morgan,
2001), even when attention is occupied by other objects (Alvarez & Oliva,
2009; Burr, Turi, & Anobile,
2010). Another important property of ensemble summary statistics (that is critical in the context of the present article) is their
high level of abstraction. That is, statistical descriptions can be built as “pure” global features regardless of the spatial arrangement of individual items in the visual field (Cant & Xu,
2012; Chong, Joo, Emmanouil, & Treisman,
2008; Utochkin,
2013).