Binocular disparity occurs when an object in the scene projects to different locations in the left and right eye images. Because such location differences vary with the distance between the object and the observer's fixation plane, an observer can use the binocular disparity to estimate the depth of an object in a scene. Because disparity is a purely geometric cue, an ideal stereoscopic system would compute the depth from disparity independently of the luminance contrast of the disparity cue and exhibit contrast invariance. Such contrast invariance is important because objects in natural scenes have a wide range of contrasts relative to their backgrounds (Marr,
1982). Moreover, variations in luminance contrast can be produced by changes in illumination and atmospheric conditions, particularly in the case of the disparities of shadow edges.
On the other hand, luminance contrast is a well-known distance cue in the form of aerial perspective, by which contrast is reduced by the distance through that atmosphere that the light has to travel, with lower contrast implying increased distance from the viewer. Thus, disparity and luminance contrast provide different sources of the distance information for an object.
In this study, we investigated the effect of luminance contrast on perceived depth from disparity. Currently, there are no consistent results concerning the effect of luminance contrast on perceived depth. Schor and Howarth (
1986) used stimuli whose luminance was defined by a difference of two Gaussian functions (DoG) and a depth-matching paradigm. They found that there was no luminance contrast effect on apparent depth when the spatial frequency of the DoG stimulus was greater than ∼1 cy/° but that perceived depth for a given disparity decreased with contrast below that DoG frequency. Similarly, Fry, Bridgman, and Ellerbrock (
1949) used a depth-matching paradigm to measure the apparent distance of a rectangular target that was 5 m away from the observer. Their results showed that the apparent distance of the target increased with the reduction of contrast. Rohaly and Wilson (
1999) tested the perceived depths of a sixth derivative of the Gaussian function (D6) pattern with either crossed or uncrossed disparity of 4 arc min. They found that, at low contrast, the matched disparity was less than 4 arc min for the crossed stimuli but greater than 4 arc min for uncrossed stimuli. Thus, in all cases, the stimuli tended to appear farther away at low contrast levels. Such mismatches were reduced as contrast was increased to give veridical depth matches at high contrast. They did not measure the relative perceived depth as a function of target disparity.
One measurement that may be related to the disparity contrast is stereoacuity, which is the measure the ability of an observer to detect the disparity difference between two objects. Here, consistent contrast effects specific to the stimulus conditions are known. Ogle and Weil (
1958) measured the stereoacuity of a test line at different luminance levels against a uniform background. They found that the stereoscopic threshold remained the same regardless of the luminance contrast except for a slight increase when the contrast was reduced to near threshold. Lit, Finn, and Vicars (
1972) used a two-rod Howard-Dolman device, in which an observer viewed two rods in front of a uniform background through an aperture, to test the stereoacuity with different target-background luminance combinations, and they also reported that contrast had little effect on stereoacuity. On the other hand, using vertical sine-wave gratings as stimuli, Legge and Gu (
1989) found that the stereoacuity was inversely proportional to the square root of stimulus contrast. Halpern and Blake (
1988) and Heckmann and Schor (
1989), using the 10th derivative of Gaussian luminance distribution (D10) stimuli and sinusoidal grating targets, respectively, also reported that stereoacuity varied with a power function of contrast. For random-dot stereogram stimuli, Cormack, Stevenson, and Schor (
1991) found that the stereocuity was proportional to the square root of contrast when the stimulus contrast was above ∼5× the contrast threshold, whereas stereoacuity became proportional to the cube root of contrast when the contrast was below ∼5× contrast threshold.
It should be noted that the earlier studies that reported no luminance contrast effect on stereoacuity defined contrast from the luminance difference between the test pattern and the background (Ogle & Weil,
1958), whereas the later studies (Halpern & Blake,
1988; Heckmann & Schor,
1989; Legge & Gu,
1989; Cormack et al.,
1991) defined contrast as the luminance difference between regions within the periodic test patterns. Thus, one may conclude that stereoacuity depends on the luminance contrast within the test pattern but not on the luminance contrast between the test pattern and the background.
However, even taking account of this distinction, it is still difficult to infer the effect of luminance contrast effect on perceived depth in a scene based on these prior studies. First, stereoacuity measurement is based on the performance near threshold and provides no direct information about the suprathreshold percept. Second, as shown in signal detection theory (Green & Swets,
1966; Chen & Tyler,
2001), the threshold measurement constituting stereoacuity depends not only on the intensity of the stimulus but also on the internal noise. Thus, stereoacuity is also limited by the level of noise in the stereo system, not just the relationship between disparity and the depth percept. Conversely, the studies that measured perceived depth as a function of contrast for barlike stimuli did not assess the overall perceived depth of the disparity structure of stereoscopic scenes.
Here, we report the first study of the luminance contrast effect on perceived depth using the random-dot stereograting paradigm originally developed by Tyler (
1974). We used stereograting patterns modulated in depth, either as a unipolar depth change or as corrugated surface, and measured the perceived depth difference between the furthest and nearest points on the test pattern. We determined the perceived depth magnitude as a function of both the disparity modulation amplitude and the luminance contrast of the dots.