In summary, several cognitive cues that attract attention and guide eye movements in natural vision have been already discovered (e.g., color, texture, motion, face, and text (Cerf et al.,
2009), object center-bias (Nuthmann & Henderson,
2010), scene center-bias (Tatler, Baddeley, & Gilchrist,
2005), cultural cues (Chua, Boland, & Nisbett,
2005; Rayner, Castelhano, & Yang,
2009), semantic distance (Hwang, Wang, & Pomplun,
2011), and gaze direction (Borji et al.,
2014; Castelhano, Wieth, & Henderson,
2007). Further, structural scene information such as global context, horizontal line,
3 and openness (Torralba et al.,
2006), scene layout (Rensink,
2000), and depth (Le Meur,
2011; Ouerhani & Hügli,
2000) have been shown to influence eye movements as well as human scene categorization (Friedman,
1979; Potter,
1976; Oliva & Torralba,
2001). Here, we systematically investigate the role of a particular type of scene structural information known as the vanishing point (VP) and perspective on eye movements during free-viewing and visual search in natural scenes. In a graphical perspective, a
vanishing point is a 2D point (in the image plane) which is the intersection of parallel lines in the 3D world (but not parallel to the image plane). In other words, the vanishing point is the spot to which the receding parallel lines diminish. In principle, there can be more than one vanishing point in the image. VP can commonly be seen in fields, railroads, streets, tunnels, forest, buildings, objects such as ladder (from looking bottom-up), etc. It has been used in camera calibration, 3D reconstruction as well as in painting.