In the present study, the question of holistic gaze integration in face and body perception is addressed using the composite design, a highly controllable method to systematically investigate holistic processing (e.g., Hole,
1994; Rossion & Boremanse,
2008; Young, Hellawell, & Hay,
1987; for a review, see Rossion,
2013). In this task, originally proposed by Young et al. (
1987), new composite faces are constructed by pairing the upper face half (i.e., from the nose upwards) from one familiar person with the lower face half from another familiar person. While identifying the person from the task-relevant half (i.e., upper or lower face half), participants experience a perceptual interference from the nonattended half, an effect that disappears when the face halves are horizontally misaligned and thus break the configuration. The results indicate the importance of configurational processing on the recognition of the separate parts (i.e., the upper and lower face halves). The largest limitation of this naming task (i.e., only familiar faces could be used) was later resolved by introducing a matching-to-sample variant of the composite design (Hole,
1994), in which participants had to decide on the similarity of the relevant halves of two sequentially presented composite faces (i.e., a target and a test face). The matching-to-sample task is now the more frequently used variant of the composite design in research on holistic processing. The composite design has been widely employed in research on holistic face
and body perception in general populations (e.g., Robbins & Coltheart,
2012; Robbins & McKone,
2007; Rossion & Boremanse,
2008; Willems, Vrancken, Germeys, & Verfaillie,
2014) as well as in populations with hypothesized face-perception difficulties (Busigny, Joubert, Felician, Ceccaldi, & Rossion,
2010; Gauthier, Klaiman, & Schultz,
2009; Nishimura, Rutherford, & Maurer,
2008; Teunisse & de Gelder,
2003). However, whereas research with the composite design has mostly focused on holistic processing of identity (e.g., Rossion & Boremanse,
2008), emotion (e.g., Calder & Jansen,
2005; Calder, Young, Keane, & Dean,
2000), and even gender (e.g., Baudouin & Humphreys,
2006), to our knowledge no research with the composite design exists for gaze perception.