Several researchers have noted that when viewing scenes there is a higher proportion of eye movements in horizontal directions than vertical or oblique movements (e.g., Foulsham, Kingstone, & Underwood,
2008; Gilchrist & Harvey,
2006; Lappe, Pekel, & Hoffmann,
1998; Lee, Badler, & Badler,
2002; Tatler & Vincent,
2008). There are a number of possibilities as to why this tendency exists. Firstly, there may be a muscular or neural dominance making oculomotor movements in the horizontal directions more likely. Secondly, the characteristics of photographic images may mean that content tends to be arranged horizontally by the photographer. In such situations, horizontal saccades may be the most efficient way to inspect scenes. Thirdly, using horizontal saccades in scene viewing might be a learned strategy. Observers may learn the natural characteristics of scenes based on previous experience, and therefore demonstrate an increased likelihood of moving in the horizontal direction. A final explanation is that this tendency is a consequence of the aspect ratio of visual displays, which normally allow for larger amplitude saccades in the horizontal than in vertical directions (von Wartburg et al.,
2007). Results from Foulsham et al. (
2008) and Foulsham and Kingstone (
2010) suggest that the outline of the displayed scene has a marked effect on saccade directions during viewing. Indeed, Foulsham et al. (
2008) found that when the orientation of an image is rotated, the distribution of saccade directions follows the orientation of the scene. Furthermore, when a scene is presented in a circular aperture, the tendency to make horizontal saccades disappears, being replaced by a tendency to make vertical saccades relative to the image orientation (Foulsham & Kingstone,
2010). However, when using fractal images (where images do not have an obvious orientation), observers tend to make horizontal saccades, regardless of the angle that the image is presented. These findings suggest that directional biases in saccades are influenced not only by the shape of the displayed scene but also by its content.