Chinese characters were selected from a list of 3,000 most frequently used traditional Chinese characters in Hong Kong (Poon & Kang,
2003). These frequently used characters were further screened for the configuration of their constituent stroke patterns. A group of 176 “left–right” characters that were composed of a left and a right stroke pattern were included in the final set of
real characters. Among all left–right Chinese characters, some stroke patterns can exist only on the left side of a character, and others can exist only on the right side. Forty-five
pseudocharacters were created by combining the left-only and right-only stroke patterns in a legitimate way (i.e., the left-only and right-only stroke patterns stayed in the corresponding side of the character), yet such combinations were not existing characters. Forty-five
noncharacters were created by swapping the left and right stroke patterns in each of the 45 pseudocharacters. The real-, pseudo-, and noncharacters shared 28 different left stroke patterns and 45 right stroke patterns. Total stroke number ranged from four to 13 (
M = 8.70,
SD = 1.89) for real characters and from six to 12 (
M = 8.60,
SD = 1.63) for both pseudo- and noncharacters. In the Chinese writing system, a stroke is a continuous movement of the writing instrument with a disjunction in the end, which allows corners and hooks. In addition to stroke count, visual complexity of the stimuli was also measured through perimetric complexity, which is the ratio of the squared sum of inside and outside perimeters to the ink area of the character (Attneave & Arnoult,
1956; Pelli, Burns, Farell, & Moore-Page,
2006). Mean perimetric complexities were 465.85 (
SD = 64.28) for real characters, 459.60 (
SD = 60.46) for pseudocharacters, and 455.89 (
SD = 63.76) for noncharacters. A set of 176
scrambled characters were created by dividing a real character into nine square units of equal size and having these units randomly rotated and swapped. As our scrambling method could break up strokes into smaller fragments, mean perimetric complexity among scrambled characters was 548.06 (
SD = 82.97).
Figure 1 shows examples of the four types of characters. The characters were rendered and presented in the PMingLiU font (
Xin Si Ming Ti). Height and width of each character were both 1.5°, which exceeded the size threshold of all observers (
M = 0.75°,
SD = 0.19°).