People can reliably perceive the colors of surfaces in complex scenes, even though the spectrum and intensity of the light that a surface patch reflects to the eye depends not only on the reflectance properties of the patch itself, but also on illumination conditions and scene geometry. A special case of this ability is lightness perception, the ability to perceive the reflectance of black, white, and gray surfaces. Reflectance is the proportion of incident light reflected by a surface, as measured in photometric units, and lightness is perceived reflectance. Even the most basic principles of lightness perception are still contested. Some theories hold that lightness perception is based on low-level image properties such as bandpass energy (e.g., Blakeslee & McCourt,
1999; Shapiro & Lu,
2011), while others claim that midlevel features such as cues to surface boundaries and lighting conditions play a crucial role (e.g., Adelson,
2000; Bloj et al.,
2004; Gilchrist,
2006; Murray,
2013). Our understanding of lightness perception is still so tentative that there is even room for basic questions about how to describe percepts of simple gray surfaces. Logvinenko and Maloney (
2006) used difference scaling methods to investigate the perceptual dimensions of matte gray surfaces, and developed a quantitative model of how reflectance and illumination contribute to the perceptual similarity or dissimilarity of surface patches.
Figure 1 illustrates their model. The
x-axis represents the reflectance of an achromatic surface patch, and the
y-axis represents illuminance (i.e., intensity of incoming illumination). Both axes are scaled logarithmically. The white dot represents the reflectance and illuminance of a reference patch. Any other surface patch has some degree of perceptual similarity to the reference patch, and the gray curves show iso-similarity contours according to Logvinenko and Maloney's model (their equation 5). Human observers judge all points on each iso-similarity contour to be equally similar to the reference patch. The iso-similarity contours illustrate several of Logvinenko and Maloney's findings. First, when measured in logarithmic units, reflectance differences contribute more to perceptual dissimilarity than illumination differences do, so iso-similarity contours are closer to the reference patch in the
x direction than in the
y direction. Second, the diamond-like shape of the contours shows that similarity is given approximately by a city-block metric: To find the approximate similarity between the reference patch and another patch we take a weighted sum of the difference between them in log reflectance and in log illuminance. A third, subtler phenomenon is that two reflectances are seen as slightly less similar under high illuminance than under low illuminance. This is indicated by the inward bowing of the upper half of the diamonds and the outward bowing of the lower half.