The motion quartet (also called the “bistable quartet” or “stroboscopic alternative motion”) is a two-frame ambiguous motion stimulus, illustrated in
Figure 1a (Schiller,
1933; Gengerelli,
1948; Ramachandran & Anstis,
1983b). In the first frame of the usual version of the quartet, two identical objects appear at opposite corners of an imaginary square; in the second frame, the same two objects appear in the other two corners. If the visual system matches each of the objects in the second frame to a single and unique object in the first frame, two apparent motions can be perceived, illustrated in
Figure 1b and
c. Because the distances in the two solutions are the same, neither the slow-motion prior nor any other perceptual cue can disambiguate the two solutions. The motion quartet has been used to probe contextual and priming effects in motion perception (Ramachandran & Anstis,
1983a,
1983b; Anstis & Ramachandran,
1987), hysteresis and sequence effects (Hock, Kelso, & Schöner,
1993; Maloney, Martello, Sahm, & Spillmann,
2005), and analogies between visual and tactile motion perception (Carter, Konkle, Wang, Hayward, & Moore,
2008; Liaci, Bach, Tebartz van Elst, Heinrich, & Kornmeier,
2016; Haladjian, Anstis, Seizova-Cajic, Wexler, & Cavanagh,
2018), as well as to study the neural correlates of visual consciousness (Sterzer & Kleinschmidt,
2007; Zhang et al.,
2012) and the effects of neuroanatomy on motion perception (Genç et al.,
2011; Shimono, Mano, & Niki,
2012).