Binocular disparity and relative size cues were employed in our previous study to create depth perception. Disparity cue is usually more effective at near distances (Campbell,
1957; Hillis, Watt, Landy, & Banks,
2004; Ono & Comerford,
1977), but sometimes can be overridden by contradictory long-range monocular depth cues even at close distances (O'Leary & Wallach,
1980; Wallach & Zuckerman,
1963). Relative size has long been known as a powerful monocular depth cue and has also been extensively studied in the literature (Fitzpatrick, Pasnak, & Tyer,
1982; Ittelson,
1951; Marotta & Goodale,
2001). However, it is unclear whether other monocular depth cues could result in a similar depth effect on VWM. One of the monocular cues that has been found to induce depth perception is the so-called aerial perspective. Aerial perspective emerges from the fact that the air is filled with light-absorbing and light-scattering particles even on the clearest of days (Coren, Ward, & Enns,
2004). The lights from more distant objects must travel through the atmosphere for a greater distance and are subject to increased absorption or scattering by the particles in the air. Therefore, a distant object may appear to be slightly grayer or less pronounced than a nearer object that is physically of the same color (Ross & Plug,
1998). It is also referred to as relative brightness or relative contrast (Coren et al.,
2004), because a more distant object may appear to be less bright, or lower in contrast. The brighter of the two otherwise identical objects tends to be judged as closer in absence of other cues; even when other cues are available, reduced contrast is associated with judging an object as more distant (Dresp-Langley, Durand, & Grossberg,
2002; Dresp-Langley & Reeves,
2012; O'Shea, Blackburn, & Ono,
1994; Rohaly & Wilson,
1999). Furthermore, research found that the perceived depth separation increased with increasing difference in brightness (Egusa,
1977) and saturation (Egusa,
1983). However, the effect of saturation on depth perception seems to be modulated by other factors—for example, hue (Egusa,
1983) and contrast polarity with respect to background (Dresp-Langley & Reeves,
2014).