Color constancy is the perceptual phenomenon by which object colors remain relatively stable despite spatial and temporal changes in the illumination spectrum, which alter the spectrum of light reflected from object surfaces to the eye. However, laboratory measurements of the magnitude of color constancy vary with the experimental conditions and indicate that it is rarely perfect (for reviews, see Brainard & Radonjić,
2014; Foster,
2011; Hurlbert,
1998; Maloney,
1999; Smithson,
2005). A variety of experimental methods have been developed to measure color constancy. These generally involve an assessment of the color appearance of individual surfaces across a change in illumination—for example, by asymmetric surface color matching (e.g., Arend & Reeves,
1986; Brainard, Brunt, & Speigle,
1997; Burnham, Evans, & Newhall,
1957) or achromatic adjustment (e.g., Brainard,
1998; Helson & Michels,
1948). Other paradigms do not directly assess surface color appearance but instead measure constancy through—for example, categorical color naming (e.g., Olkkonen, Witzel, Hansen, & Gegenfurtner,
2010; Troost & de Weert,
1991), object selection tasks (Radonjić, Cottaris, & Brainard,
2015,
2016), or classification of the physical origin of image changes (e.g., material vs. illumination change; Craven & Foster,
1992). Results from such studies demonstrate that the overall degree of color constancy may depend on the spectral reflectance of the surface under view (Burnham et al.,
1957; Helson & Michels,
1948; Ling & Hurlbert,
2008), the spectral character of the change in illumination (Brainard & Wandell,
1992; Daugirdiene, Kulikowski, Murray, & Kelly,
2016; Delahunt & Brainard,
2004; Worthey,
1985), the ensemble of surfaces in the scene (Bäuml,
1994,
1995), and manipulation of cues in the image that might mediate constancy (Kraft & Brainard,
1999; Yang & Maloney,
2001).