The definition of a perceptual object is inherited from the gestalt tradition: Like many other gestalt concepts, it is intuitive but elusive. However, Chen (
1982,
2005) established a formalized theory of the perceptual object free from intuitive approaches, arguing that the core intuitive notion of a perceptual object is rooted in its holistic identity preserved over shape-changing transformations. This identity can be characterized precisely as topological invariance. Topology can be imagined as an arbitrary “rubber-sheet” distortion, in which connectivity, the number of holes, and the inside/outside relationship remain invariable under continuous deformations, including stretching and bending. Through decades of research, the early topological-perception hypothesis has been widely explored, in the context of phenomena such as apparent motion (Zhuo,
2003), global precedence (Han, Humphreys, & Chen,
1999), multiple-object tracking (Zhou, Luo, Zhou, Zhuo, & Chen,
2010), numerosity (He, Zhou, Zhou, He, & Chen,
2015), and even pattern discrimination in insects (Chen, Zhang, & Srinivasan,
2003). These results have supported the notion that topological properties are extracted in the very beginning of visual processing to form basic constraints on object coding. The topological approach to perceptual organization provides a new definition of the global versus the local and a new perspective on viewing the formation of an object. Therefore, from the topological perspective, we proposed that the definition of a perceptual object might be integrated into VWM, which would profoundly help the understanding of representations of VWM.