When participants were asked to report the shape of an individual object, their responses were attracted toward the shape of that object seen in the recent past. They were not influenced by a shape on the opposite side, even when that shape had been previously cued for report. This serial dependence between objects at the same location, but not across locations, may seem to contrast with results from other studies showing that serial dependence operates across locations (if they are not too far apart) (
Collins, 2019). However, in these previous studies, there was only one object, compared with the two in the current experiment. Thus, individual objects within multi-object scenes may be monitored by independent continuity fields (
Fischer, Czoschke, Peters, Rahm, Kaiser, & Bledowski, 2020).
When participants were asked to report the shape of an individual object, their responses were not attracted to the previous ensemble, even when they had reported that ensemble. This result suggests that there are two independent representations, one for the individual object and the other for the ensemble. This condition extends previous studies of serial dependence with ensemble stimuli, in particular (
Manassi et al., 2017). Indeed, in that study, trials alternated between one Gabor (participants had to report the single orientation) and nine Gabors (participants had to report the average orientation). There was serial dependence of the single Gabor on the previous ensemble, as well as serial dependence of the ensemble on the previous single Gabor. This does not test if ensemble representation is obligatory, as there was no condition with an ensemble of Gabors on which subjects were not asked report the average. To test whether ensemble perception is obligatory, it is necessary to include trials on which an ensemble of items is presented but participants report only one of the items. The current study thus made it possible to determine whether the perception of an individual item on a given trial is influenced by the previous ensemble (it is not) or the previous individual item (it is).
When participants reported the average of two shapes, they were influenced by the previous ensemble representation, replicating both
Manassi et al. (2017) and
Pascucci et al. (2019). This attractive influence of the previous ensemble on the current ensemble occurred only when participants had previously reported that ensemble. When they had reported an individual object in the previous trial, the non-reported ensemble did not influence subsequent perception.
When viewing a multi-object scene, individual object features are stored, possibly in an object-file-like representation, and integrated with features from previous samples of that object. This integrated representation then gives rise to current perception. It is not necessary to pay attention to the individual object for its features to be integrated into the object file (assuming that post-cueing for report orients attention to a memory trace). Serial dependence of individual object perception on previous individual objects occurred both in trials in which participants had reported the individual object and in trials in which they had reported the ensemble. When viewing a multi-object scene, ensemble representations are stored only when attention is directed to the ensemble, as shown by the presence of serial dependence between ensemble trials, but no influence of non-reported ensembles on current ensembles. These results suggest that, although the perception of individual objects is obligatory, ensemble perception is not. They furthermore suggest that individual object features can contribute to different object files at the same time: the file corresponding to the individual object and, if attention is drawn to the ensemble of which the object is a part, to the ensemble file. Thus, individual object representations and ensemble representations can be maintained, and integrated with previous history, in parallel. In other words, multiple continuity fields operate simultaneously on object and scene representations.